Wicked and Divine, Vol 4: Holy shit. Holy shit. Holy shit. It’s back. Swallowed this one whole in about an hour. Need more.
The Vision, Vol 1: Art is…fuzzy? Seems like the lines are never sharp. Which is maybe deliberate, since it’s a fuzzy-line world they’re creating. But it’s hard on the eyes.
Constantly narrated via voice-over, instead of using dialog or pictures to show what’s happening. It’s a fine technique, and a known one, but it’s a bit tedious when it’s all the comic is written in.
Deadly Class, Vol 3: When did everyone become pretentious and annoying?
Saga, Vol 5: Artwork still fantastic, writing keeps me reading, but…did anything really happen? Threads wound up rather easily, it seems, and Fiona was ripped away again kind of arbitrarily. Also: too much time spent with the bounty hunters I don’t care about.
Southern Cross Vol 1 – Great art. Very creepy. Felt there were some strange jumps or discontinuities in the narrative, but overall it’s well-done.
Star Wars: Darth Vader Vol 1: Disappointing. Dialog is clunky, and none of the characters sound like themselves. Art gets confusing, especially during the action scenes. Final moments of the volume don’t land the emotional punch they want to.
Godzilla in Hell: Fantastic use of graphics over dialog. Only the 1st and last entries have an interesting story. The rest seem fine with rehashing monster battles in elemental locales, rather than exploring what Hell might be like for Godzilla.
Wicked + Divine Vol 3: Slow going in the beginning, then picks up later. Not nearly as moving as Vol 2. Feels like the heart might be missing from this one. Art shifts are possibly appropriate, but strange and off-putting. Best segments deal with the gods’ pasts, though not all of them are coherent.
Pretty Deadly #1: Good writing. But the art, to me, is incoherent. Often can’t tell the people out from the backgrounds, and none of the lines seem sharp enough to distinguish objects from each other. Even the panels are cut off in odd ways that made it hard to tell what’s being shown.
Rat Queens Vol 1: Characters are basically college kids with medieval weapons and magic. Wants to both undermine and keep the D&D cliches it’s reacting to. Doesn’t always work.
Wicked + Divine Vol 2: Holy shit, that ending. Much much better than Vol 1.
Deadly Class Vol 1: I don’t want to like this one. It’s violent, and its characters are prone to the world-weary adolescent philosophizing that felt important when I was their age but is boring now. But the art is amazing, and I can’t stop reading.
The Ghost Fleet Vol 1: Starts out with inventive art and an intriguing premise, then becomes just another massive conspiracy plus revenge story.
Saga Vol 2 & 3: Still perfect. Ye gods, how are they doing this?
Ms Marvel (Wilson, Alphona): Well written. Not written for me.
Captain Marvel (DeConnick, Soy): Not as well written. Also not for me.
Superior Spider-Man (Slott, Stegman): Amazing concept and writing. Art confusing and slightly cliche.
She-Hulk (Soule, Pulido): Its cancellation was a tragic loss. Easily my favorite superhero comic.
Five Ghosts (Barbiere, Mooneyham): So well-done, it’s use of women as just damsels in distress sticks out like a splotch of mud on an otherwise perfect painting.
Saga (Vaughn, Staples): Perfect.
Wicked + Divine (Gillen, McKelvie): Awesome concept. Disappointing that they take it to such a mundane place. Emotional heart of the story is strong, though.
Superman: Red Son (Millar, Johnson): A very 50s take on an alternate Superman. Fascinating, especially the Epilogue.