Novel edits are coming along faster than I thought. Might actually get them all done by the end of the month 🙂
It’s weird to see the novel being reshaped under my editing scalpel. I can feel the book getting better, little by little: its characters more consistent, the world more fully realized, the pacing tighter.
I’m remembering my plans for a follow-on book, and looking forward to writing it. Can editing a novel make you excited to write the sequel?
Managed to whittle the list of editing passes from twelve to twenty and now back to thirteen.
Which means I didn’t finish them by the end of March, like I wanted.
I *did* finish the biggest of the changes, though: giving each chapter to either the male or the female protagonist, swapping evenly between the two, and filling out her narrative arc so that her storyline has equal weight.
The changes I have left are much smaller: revising character appearances, adding touches to scene descriptions, and making sure everything is consistent.
Still, I’m setting weekly goals, aiming for three editing passes done each week. At that rate, I’ll be finished with the edits in early May
Much later than I’d like, but I tell myself that’s better than not doing them, or worse yet, continuing to tweak and edit for a year or more.
Today is Editing Day.
I’ve patched the holes in the plot. I’ve gone through and made the language more consistent. I’ve checked the character’s backstory to make sure it all hangs together.
Now it’s time to do the cutting. Time to trim away the fat from my descriptions, to cut the unnecessary dialog, to skip over any boring action sequences.
It’s good I have the day off. I’ll be spending it making the first cuts, and planning the word culling to come.
Biggest three flaws in the novel are fixed!
Or, at least, I think they are? Hard to tell without getting another round of beta reader feedback.
In any case, I’ve made edits to fix the largest plot holes.
Moving on to problems with world-building. Those range from big things like: does the background for the two main characters make sense? Is it treated consistently? Does the behavior of the villain at the start of the book hold with what we learn about them by the end? To smaller pieces, like making sure the monetary system used holds up and the curses the characters utter fit the world.
It’s a little more scattershot than the first editing pass. Almost wish I’d made notes as I wrote the first draft, breadcrumbs for me to follow back so I’d know exactly which sections of the text would need to be checked later. Maybe something to try with my next novel?
The major flaw in the novel is almost fixed. I’ve been editing around it, working my way from the scenes where the initial cracks in the story start showing through, down to where the plot hole opens up a mile wide.
I’ve started building a bridge across that chasm, a way to connect what happens on both sides so that it’s no longer an abrupt fall.
Today I made it up to the turning point itself, the central event at the heart of the flaw. I’ve finished editing that scene, and will continue on past it, smoothing things over until I feel the problem is fixed.
Once that’s done, it’ll be on to the next issue, and the next. Those are much smaller, so I’m hoping their edits go faster.