Essential. Maas describes the elements of a “breakout” novel, showing how to make any plot or story more compelling. He pulls examples from recent (well, recent to the year 2000, which is when the book was written) novels to illustrate each of his points, and even has exercises in each chapter you can do for your own novel.
I’m already mixing in his approach as I prepare for NaNoWriMo. It’s given me another set of questions to ask about my characters, plot, and setting, to help me push them to a higher level.
Three things I learned about writing:
- People have been talking about the death of the mid-list since the 1970s. Don’t let it phase you.
- Escalating stakes doesn’t mean making the one danger greater. It means adding more, different, dangers for the protagonist.
- Characters need to be larger-than-life. Find the extraordinary in ordinary people, and bring that to life.
Realized a few weeks back that I wasn’t making the progress on the short stories that I wanted to. And I wasn’t making any progress on editing the second novel.
And NaNoWriMo is coming.
At first, I made the usual excuses to myself — I’ve lost my morning hour to write, I can catch up on the weekends — but I knew the real reason: fear.
Fear that I wasn’t going fast enough. Fear that I wasn’t writing stories that were good enough. Fear that without an hour to write in, I wouldn’t be able to get anything done.
So I’ve gone back to an old habit: write every day. I have a reminder in my phone, a little task that I can only check off when I’ve done some writing that day.
How much doesn’t matter. 100 words, 250 words, 400 words, don’t care. So long as I write something.
And it’s working. I finished the first draft of one short story early this week, and I’ll have a draft of a second story finished this weekend. When those two are done, I can start planning the NaNoWriMo novel.
So I keep telling myself: Step by step, day by day. One word at a time.