This week I’ve mostly been focused on typing up the mix of notes, scenes, and outline from my notebook for the now expanded, gender-flipped, sidekick-to-protagonist science fiction story (whew!).
I’m having to do a bit of expansion and interweaving as I go. I didn’t write the scenes in order, to begin with, and then I’ve also been blending it with what I wrote in the second (typed straight to laptop) draft, so that hopefully the whole thing is coherent.
I’m nearing the ending, which I haven’t written yet, but I’ve got such a strong image for that I think I can just type it out when I get there. Also I’ve got to lay the path for it, so to speak, by weaving in elements in these earlier scenes so the final one feels like a proper payoff, rather than an abrupt turn (though there is a turn, I just don’t want it to jolt a reader out of the story).
One thing I want to pay particular attention to, and change if I can’t get it right, is the (now) main character’s ethnicity. In my mental storyboards, she’s a second-generation Asian-American, and that’s how I’ve presented her in terms of name, etc. But in reading books like Craft in the Real World and The Girl at the Baggage Claim, and novels like Earthlings and The Woman in the Purple Skirt, I’m starting to doubt whether I can properly portray such a character. I’ve been thinking I can use my experience as an internal (and now international) immigrant as a bridge to their worldview, but I think now that that’s not enough. There’s the pervasive racism experienced by minorities in the States, and on top of that the misogyny that uniquely harms Asian-American women (I say harms, not harmed, because it keeps happening: witness the one character in “The Boys” who is introduced as completely feral and whose voice is silenced is the one Asian woman in the cast). And that’s before we get into differing family relationships, unique cultural touchstones, etc.
So I’m not sure if I should change the POV character’s ethnicity or not. I think that during these handwritten drafts I’ve found an approach that can be both representative and respectful. And I don’t want to be the kind of white writer that only writes white people (any more than I want to be the kind of male writer that only writes men). The world is diverse, and I want to represent that in my fiction. But I want to do it well, which means more than just changing a character’s name or skin color.
We’ll see how the draft comes out. And what my sensitivity readers say when they review it.