Novel’s at 38,160 words. The snippets I’m working on are starting to spill over into the next chapter; I’m already scoping out the reactions of the characters to the events of the section I’m working on.
Meanwhile, this section is winding down. And I’m getting the feeling that much of it — most of it, even — might be cut in the next draft. I mean, do I really need to describe how a character makes their camp dinner in such detail? And yet, if I don’t do it, I won’t know that they keep flour in this jar over there, and that they constantly gather firewood as they travel, so they have a stock of it ready to go when needed. Details like that would be completely lost, if I didn’t make a hash out of describing every little action right now. So I keep doing it, knowing that what I’m writing now will likely be cut, but that doesn’t mean it won’t be used.
I’m also…well, I’m debating whether to let one of my characters give A Speech at the end of this chapter. They have the words for it — I’ve already written the points they want to hammer home — they have the audience, they have the space and the time. But does the book have the tone for it?
I usually shy away from having characters make big speeches, or monologues. Blame part of it on a Gen-X thing: I treat displays of sincere emotion with suspicion. Blame another part on my preacher of a father, whose pompous, hypocritical sermons turned me off to religion altogether.
So I’m always pushing my characters to speak more naturally, to take any Great Wisdom they want to lay down and either show it through their actions or weave it into their dialog some other way.
But this time…this time I might let them just say what they want to say. Certainly the situation calls for it: a young girl is about to be pushed into an apprenticeship that will change her life, take her away from the family and the place she’s always known and send her criss-crossing the world with her mentor. And all because of a decision she made to pursue vengeance for her father’s death, that led to a near-deadly encounter with a dragon, and now this. Such sweeping changes, they call for a little more weight to the dialog, yes?
Oof, I’m uncertain. I’ll write the speech, I think, and see how it plays. I can always change it later, right?