Keeping Score: January 22, 2021

It feels good to have a competent President again. A President with some dignity, who doesn’t spend his time tweeting out misinformation. Whose Press Secretary thanked reporters after her first press briefing, who doesn’t see journalists as the enemy. A President who made news this week because of the raft of actions he took to kick off a national response to the coronavirus pandemic, not the lies he told.

The day after the inauguration, I sat down to write after a long day at work, and when I looked up I’d written twice my daily word count, smooth as butter.

I could get used to this. I want to get used to this. Not in the sense of taking it for granted, but in the sense of it happening, over and over and over again.

There’s much to be done, politically. Too many Americans are locked up in prisons. Too many Americans fear the loss of their job so much they’re willing to endure urinating into bottles and absurdly low wages, while their bosses complain about not knowing how to spend all the money they’re making.

But it’ll be easier, collectively, to tackle such things, if we don’t all have to worry about the President, too, coming after us. If we have the headspace to write, and call, and paint, and march, and sing, and petition, without wondering, every day, which shoe the executive is going to drop on us that day. What painstaking progress the administration rolled back with callous ease this morning.

It’ll be good to feel like we have an ally in the White House. Not perfect, by any means. But not actively trying to set us back.

Novel’s at 24,580 words. More by the end of the day, since I haven’t yet done my daily words. Back to the rhythm of 2,000 words per week.

I’m at the point where I’m stitching together the pieces I’ve written for the current sequence, before pressing on. I’m having to shift some paragraphs around, moving them either earlier in the chapter or later, so I can keep them without interrupting the flow of things.

I can already see parts I’m going to have to revise. Conversations that don’t go anywhere (currently), descriptions of daily life that will need to be rewritten according to the research I’m doing.

I’m…uncertain, whether to fix those, or just press on. The advice I’ve gotten from the Writer’s Coffeehouse says to move on, to just make a note of it, so it’ll be easy to come back to, but to keep forward momentum going. Finish the draft, then go back and patch things up.

And it’s good advice! Only…if I already know how things need to change, shouldn’t I change them? Or worse, if I know things need to change, but I’m not sure exactly how, isn’t it better to find out the more stable form for them now, so I can keep writing the book with that in mind?

I suppose the advice is meant to keep me from getting bogged down in revisions, instead of finishing out the draft. And I definitely do not want to do that. And it’ll probably be easier to make the changes I need once the book’s done, and I can see the whole story, rather than now, when I’m still mapping it out.

So I suppose I will press on. Still going to make notes about revisions to the scenes, though, so I don’t forget them when it’s time to edit.

But to have something to edit, I’ve got to finish this draft.
Onward!

Biden to be Sworn in as 46th President of United States

These past four years have been a waking nightmare. Every day, it’s been a barrage of lies, mismanagement, and neglect from a President with no previous governmental experience, no redeeming qualities, and no sense of duty.

2020 brought everything bad about the modern GOP right out into the open. They’re willing to let 400,000 Americans die rather than wear a piece of cloth on their face. They’re more interested in holding onto power than continuing our democracy. And they’re willing to commit sedition to get their way.

Biden and Harris will have a lot of work to do, just repairing the damage the GOP has done. But beyond that, they’ve got to contend with all the things they ignored, from the pandemic to foreign interference in our elections to the right-wing terrorists who attacked the Capitol.

And to be fair, some of the issues we need them to put a spotlight on are things we as a country have ignored for too long: racial justice, climate change, universal health care. The pandemic exposed how weak our institutions have really become, because we’ve left folks behind. That needs to stop, if we are to indeed build back better.

It’s a heavy task, but I have hope. Hope because the need for these things is out in the open, plain as the hospitals that have been overwhelmed, plain as videos of police beating up protestors and journalists, plain as the police shooting of a Black man in broad daylight as he was getting calmly into his car with his kids.

The Biden/Harris Administration isn’t an excuse for us to go back to sleep. To imagine ourselves waking up in a better country.

It’s a chance for us to get to work.

I’ll be watching the swearing-in ceremony today, live. You can view it here, on the Biden/Harris inaugural page, or on Youtube

MLK Day 2021

I realized, this morning, that I’d never read Dr King’s Letter from Birmingham Jail. So I found this copy online, and read it straight through.

It took only twenty minutes to read. But in that one letter, King evokes philosophers and thinkers from Martin Buber to St Augustine to Thomas Jefferson, laying out the justice of his cause and defending nonviolent direct action. It’s a powerful, compelling, argument.

Reading the letter, it struck me how little has changed, in how police still react with violence to Black people who are nonviolently seeking justice. In King’s day, they attacked marchers with dogs, billy clubs, and fire hoses. In ours, they do it with tear gas, rubber bullets, and tasers. But the demands are the same, and the violence committed in the name of upholding racist power is the same.

I urge you, if you haven’t before, to read the letter. And as we speed away from 2020 and into 2021, let’s remember Black people were murdered by police in 2019, and they will continue to be murdered by police in the new year, until racist power is broken, and justice is granted to all those Black families that have been told to “wait.”

Keeping Score: January 15, 2021

What a week, eh?

Trump’s been impeached for a second time (finally). The insurrectionists who stormed the Capitol are being rounded up (thank goodness). And tech platforms are waking up to their complicity in the planning of the attack, and as a result, dropping right wing extremists so fast it reveals how much they were dragging their feet about it before.

Not that my family back home believes any of that, of course. I mean that quite literally: they don’t think Trump has been impeached, they think “antifa” (insert eyeroll here) caused the riot, they think the First Amendment requires their favorite BBS to let them post anything they want.

It’s…amazing, to me, to see the people that wrap themselves in the flag and “Blue Lives Matter” defend folks that invaded the Capitol with the intent of halting a Constitutional process (and perhaps grabbing a hostage or two) and beat the cops that tried to stop them.

What happened to the party of law and order? The party of civics, of wear-your-tie-to-school and don’t-you-know-how-the-government-works, hippie? Was it always a smokescreen?

So…yeah, I’ve been a little distracted. Writing-wise.

But I’m still hitting my 250-words-a-day target! Not always when I’m supposed to (in the morning), and not always in a single session (10 minutes at lunch, 20 minutes after work, 15 minutes before bed…), but I am getting them done, every day.

Not much more than the minimum, I’m afraid. Which is why the novel’s only at 22,894 words. But it’s progress, all the same.

Taking weekends off is still helping. Relives the pressure for a bit. Lets me do some of the research I need to do to properly write the section I’m on, which can soak up a lot of time (can you believe it’s hard to find an English-language book on 17th-century Central Asian history and culture?). Also gives me a chance to reflect on where things stand so far, and where I’d like to novel to go next.

What about you? How is your writing going, two weeks into the new year?

The Mandalorian: Season 2 Review

Ye gods, it has been hard for me to avoid spoilers for Mandalorian Season 2. Even though I deliberately avoided every article, every review, still things would slide by on my Twitter feed, and then boom spoiled.

So two of the “biggest” reveals — well, okay, three — were basically spoiled for me before I even started rewatching Season One.

I…well, I hate that, so I’m going to be very careful here. The first part of my review will be completely spoiler-free, promise.

The second part will have spoilers, but I’ll label it in huge header-style letters first, so if you haven’t seen Season Two yet, you can stop before you get there.

Ready?

Let’s go.

Non-Spoiler Review

Season Two is a huge improvement on Season One.

In Season One, the episodes were very much disconnected, both tonally and plot-wise. It felt like the kind of show that a network that 20 years ago would have been shown out of order on a network, because they thought no one would notice.

Season Two finally gets its plot arc together. Each episode flows naturally from the last, and builds on it, till the final episode feels inevitable, instead of weirdly tacked-on.

As a result, every single part of the writing is stronger. The dialog is better, because it has a purpose. The individual plots are better, because they’re not mucking about, they’re building to a conclusion. And we get to see more character moments from Mando, learning more about him, and how he changes over the course of the Season.

Basically, everything that was missing from Season One is finally in place.

And thankfully, they don’t throw out the elements from Season One that mostly worked. They revise them a little, perhaps, but amidst the new cameos and characters, it felt good to see them tying into locations and events from Season One. It made the whole thing seem more grounded, more real.

So what’s not to like?

Well, I’ll save the details for the spoiler section, but basically they still don’t know what to do with Moff Gideon other than have him be SO EVIL, LIKE REALLY EVIL, HE WEARS BLACK AND EVERYTHING CAN’T YOU SEE HE’S EVIL?!!

And they can’t seem to think of a good name for something Imperial other than to call it “Dark,” which makes me think they drank the Dark Kool-Aid in their Dark Treehouse while wearing their Dark Hat (and listening to Dark Music) just a little too much. It’s not scary at this point, it just sounds uncreative (and a little racist, to be honest).

Finally, after all the buildup I heard online about the last episode, it was a complete and total letdown. Plot-wise, character-wise, and ending-wise. Just meh.

SPOILERS SPOILERS SPOILERS

This next part of the review has spoilers! If you don’t want ’em, skip out now. I’m going to give you till the count of 3.

1…

2….

3.

“Dark” Troopers? Seriously? That was the best name they could come up with? The scariest name?

And what’s scary about them? They have better armor than stormtroopers, they’re kind of strong? I mean, really, how are they a frightening force?

They’re obviously there so that the only thing that can rescue our heroes from them is a Jedi. Which is…so frustrating, and feels like a lost of wasted potential.

Ditto Moff Gideon. “I’m done with the Child, you can have him”? And then Mando just believes him? Mando, who a few episode earlier we saw shoot an enemy that claimed to be disarming? Mando, who we’ve seen call in a New Republic hit on an entire base? That Mando?

I don’t buy it, not one bit.

I feel sorry for Moff Gideon. They have him strutting around in that ridiculous armor, which he has no business wearing in the first place, spouting villain dialog which goes nowhere and does nothing.

Dear god, I just remembered: “Dark Saber.” Jesus Wept. What a horrible name for a MacGuffin.

And then Luke shows up, and he doesn’t sit down to chat, doesn’t explain anything, just this dude in black comes up and says “Give me the child,” and Mando just hands him over, no problem.

Hahaha, nope.

They’ve taken the ship. Why not have Luke stay for a bit? Discuss his plans? Get to know the Child?

Oh, it’s because de-aging CGI is expensive? Well, gosh, maybe they should have had some other Jedi come in and take the Child.

Like, oh….How about Qi’Ra? No computer-based aging required. We know she was working with Darth Maul, so her being a trained Sith is possible. And she can pretend to be a good person, at first, who’s willing to take the Child.

But having someone actually evil, actually, interestingly evil, take the Child gives us a plot engine for Season 3, and a cliffhanger for all of us who’ve seen Solo.

Instead, Luke’s flown in, taken the Child, end of story. What’s left to do?

Oh, the whole rule over Mandalore thing? That’s so obviously a fake problem, I don’t…I don’t really care.

I might care, if Mando had to try to protect the Child while getting involved in a plan to retake Mandalore and put what’s-her-name on the throne. That’d be interesting.

But that ship’s sailed, hasn’t it?

So for me, the final episode was just a big letdown. Going out with not a bang, not even a whimper, but more of a sigh.

I think the first five episodes of the Season are fantastic. But things start to wobble in Episode Six (it was good to see Boba Fett kicking ass, sure, but did Mando really need to throw himself at that force field three effing times?), and then completely come apart in the finale.

I don’t know if I’ll watch a Season Three. Having established their show once, and fixed it the second time, then thrown it all away, what’s there to draw me back?

I Miss Those Old-Fashioned Family Arguments

My family and I have disagreed on politics for a long time. I turned left even before going to college, rejecting the conservatism I was raised in.

Their conservative beliefs — shared by most people where I grew up, in West Texas — seemed hollow and hypocritical to me. They talked a big game about freedom, but sent me to the principal’s office for daring to wear a hat to school (only girls were allowed to wear hats in those hallowed halls, I was told). They talked up their faith, and turning the other cheek, but it was me that was supposed to turn that cheek, not them, as they let their sons bully me between classes. And they wrapped themselves in patriotism, but only for “real Americans,” like them, not liberals or Californians or anyone living back East…or me.

There was no place for me, in their America. Except at the bottom of the ladder, to be kicked and laughed at. Open season on nerds.

So I left Texas, and I left their beliefs behind. I didn’t give up on my family, though. I argued with them, often and vigorously. They were amused at my liberalism, I’m sure — there’s a smirk a right-wing person gets when they feel a leftie is talking out of their ass — but I was sincere.

And they argued back! We had good discussions, for many years. They pushed me to refine my thinking, and I used to think I was helping them, too, to see the other side of the argument. We didn’t have much in common, anymore, but we had good, old-fashioned, no-holds-barred, debates. All in good faith, and with love.

But we don’t — we can’t — argue like that anymore.

Things started changing during Obama’s presidency. I didn’t notice it at the time, but looking back a pivotal moment was when my older sister, in all seriousness, sat down across from me after dinner one night for a chat.

“I need to ask you about something,” she said. “You’re pretty up on things, you know what’s going on.”

I shrugged. “Sure, what’s up?”

“I know the IRS is building camps out here, in the desert, to round up people with guns, and you know, conservatives. So what I do, when they come for me?”

…and I was speechless.

I mean, I said all the things I thought were right: The camps weren’t real, no one was coming for her or her guns (which she doesn’t own) or conservatives in general. That President Obama had no such plans, and would never do such a thing.

She listened, and she nodded. And I thought she believed me, and felt better.

But now…Now I’m not so sure. When my family’s constantly posting things about how the election was stolen and the Democrats are all Muslims that want to put Oklahoma under Shari’a Law and Black Lives Matter protestors burned down the entire city of Portland in a single day. I feel like that conversation was my first glimpse that something was wrong, that my family was slipping from conservative to right-wing, and losing their grip on reality.

Could I have done something, said something, back then, to keep that from happening? Could I have reached out more, found conservative but reality-based news sources to help them feel comfortable staying with us in the real world?

Because I can’t have arguments with them anymore. I have to spend all my time trying to convince them that these things they fear are simply not true.

And I can’t get through to them. No matter how many news articles I link. They’re “fake news” from the “mainstream media,” and so can’t be trusted.

Not only can’t be trusted, but challenging their reality this way is taken as a personal attack. They’re not “lies” they’re “conservative facts.” I can’t…I don’t know how to respond to that.

And all the time I spend fact-checking, they’re continuing to like and re-post articles spreading hate and fear about liberals, about BLM, about…well, about me. Not directly, but people like me. My friends. My neighbors. Our fellow citizens.

I’m…angry, sure, but also sad. Because I’ve lost something that was very important to me. I’ve lost my debate partners. But more, I’ve lost my family.

And I don’t know how to get them back.

Keeping Score: January 8, 2021

Oof, 2021 started out well, didn’t it?

I mean even with the spike in Covid-19 patients, and the continued lies spread by the President and his allies about the election, I had a feeling on New Year’s Day that we’d escaped the awfulness of 2020. That we’d turned a corner, the case numbers would be coming down soon, President Biden would be in office in just a few weeks, and we could start the work of rebuilding everything the Republican Party has destroyed over the last four years.

Even the Georgia elections (!) gave me hope. My fellow citizens in GA turned out in such numbers that they put the two Dems over the top, putting an end to the use of the Senate as just a roadblock to legislation. Exciting times!

And then came the coup.

I know, I know. Attempted coup. Or riot. Maybe insurrection, if you’re a journalist and you’re feeling spicy.

And suddenly all of the mental habits I’d tried to shed from 2020 were back. Reflexively checking the news every five minutes. Doomscrolling on Twitter. Cognitive dissonance from looking out my window, seeing a bright January day in SoCal, and then hearing reports of shots fired in the Capitol building.

Texting friends living in DC, to see if they’re okay during the madness.

I called my brand-new freshman-clean House Rep yesterday, not just to urge her to impeach Trump, but also to check in and see if they were safe.

What a country.

Difficult to think in such times. Difficult to write.

But so far, I’ve managed to do it. Each day, closed out Twitter, stared at the screen, reading over the previous days’ work until I sink back into the story.

And it is sinking. It is an escape, for me. A needed one, in this case.

So I’ve pushed the novel up to 21,348 words. I’m almost done with the scenes I’ve been working on, patch-work-style. I move up and down the page, writing sections as they come to me, completely out of order. I leave visual gaps in-between them, extra newlines, to show that these are fragments. Then go back in and fill the gaps later, stitching together all the pieces until they read like a continuous whole.

It’s not how I’ve written other novels. Not even how I usually write stories, either. But it’s the only thing that’s working for me, right now. So I’m using it.

Hope wherever you are, that you’re safe, that you can still put yourself in the headspace to write, even if it’s just a few words.

Hang in there.

The Mandalorian: Season One Rewatch

In preparation for diving into Season Two, I’ve been rewatching The Mandalorian’s first season. And there’s a lot of things I’m noticing, good and bad, about the series that I didn’t pick up on before.

Warning: Slight spoilers for Season One below.

The Good

I still love the decision they made to set it just after the original films. Both aesthetically, because it lets them recreate the look of those movies (which I’m still a sucker for), and story-wise, because it gives them a lot of room to play, with the Empire crumbling (but not gone) and the New Republic still finding its feet (along with everyone else). Lots of possibilities.

And seeing characters that got short shift in the originals, like the IG unit and the Ugnaught, finally get their due as fully realized people, warms the heart of this old fanboy.

The special effects are simply spectacular. You can tell they poured a lot of money and time into them. And it’s not just The Child, either; the ships, the creatures, everything looks as good as (or better) than anything made for the movies.

Ditto the music. I love the theme: So sparse but memorable, really sets the Western tone for the series. They keep the music low-key or gone for most of the show, which I appreciate. It’s there to heighten some moments, but otherwise they know they don’t need it.

And sometimes — not often enough, but sometimes — the dialog crackles. I think the scene between the two speeder troopers at the open of Episode Eight is one of the funniest, most re-watchable scenes in a modern Star Wars production.

The Bad

Far too often, though, the dialog is clunky. There’s too many times where characters point out something completely obvious, like when they reach the lava river in Episode Eight and someone actually says “That’s a river of lava.”

Or the dialog simply makes no sense at all. Like when The Child approaches Greef, hand out, intending to heal him, and Greef cries out “It’s going to eat me!” Which is laughably bad. Nothing Greef’s seen in his time with The Child could make him think that tiny thing was going to try to eat him. It’s just ridiculous.

Often they recap something that the audience has heard already, sometimes twice. And I don’t mean the whole “I don’t take off my mask thing,” which they obsess over for some reason. I mean actual plot recaps they have two characters give each other after we (the audience) have just seen it happen in that same episode. There’s a scene in Episode Seven where Cara and The Mandalorian recap not just the situation he’s in (which we know because we saw him get it in) but also why he brought her along (which we know because we saw him recruit her).

It’s not just the fact that these recaps don’t make any sense in-story (because they’re often between characters that know the things they’re rehashing). They’re also wasted time, in a show that doesn’t have time to waste (only 8 episodes for season one, each only about 30 minutes long).

Setting aside the dialog, I also wonder if The Mandalorian changes at all over the course of the season? His circumstances change, sure, but he starts out a pragmatically ruthless, honor-among-thieves type, and ends the season as…a pragmatically ruthless, honor-among-thieves type. There’s no grand moment when he realizes something about himself that he wants to change, and makes a conscious decision to change it. The droid IG-11 has more of a character arc then he does!

The Ugly

There’s so many parts of this season that make me cringe.

Basically all of Episode Six (“The Prisoner”). For that episode to work at all, we need the other crew members to look and feel like a tight-knit group, moving and working like a well-oiled machine. That way, when they betray Mando, we’ll actually be worried about him being able to take them down. As it is, he’s the only member of the crew to display any competence at all, so it’s no surprise when he comes out on top.

The less said about Xi’an’s “I’m a bad girl and I’m into you, Mando” shtick, the better.

They really obsess over his helmet wearing. Too much. In a galaxy filled with all kinds of intelligent creatures, from Calamari to Tusken to Jawas, is it really so odd for someone to always wear a helmet? Re-watching it, I was struck by how much I really don’t care what Mando’s face looks like. I care about other things, like “Why did you leave The Child alone in an empty ship in the middle of Mos Eisley?”

And the whole sequence with Moff Gideon…Ooof. Where to begin.

Let’s start with why he doesn’t already know the troopers have The Child? The speeder guards obviously know The Child’s important. They have working comms. Why don’t they just tell Gideon? Because that’d eliminate the need for his “I’ll keep them alive to drag out this episode” speech.

Then he commits the sin of actually saying they know what the e-web thingy is, and then goes on to explain it to them anyway.

Gives them “till nightfall” to talk things over, as if he cares about their lives…When, if he did care about them, he wouldn’t have sprayed blaster shots into the bar in the first place.

It’s all such mustache-twirling villain stuff, I can’t help but roll my eyes.

Which is a shame, because the actor, and the character, is fantastic. An Imperial Moff, clinging to some semblance of control in his corner of space, defying the fall of the Empire. Great stuff.

I just wish they gave him something to do other than posture and bluster. Oh, and pilot a Tie-Fighter, something an administrator who came up in the intelligence services has no business doing. It’s kind of like if the Governor of Montana used to be in the CIA in the 1970’s but then decided to hop into an F-22 for funsies. Just…why??

Conclusion

On first watch, I felt The Mandalorian was a solid B-movie in TV show form, a nice little Western story told on the edges of the Star Wars universe.

After re-watching it, I still think that, but I’m more frustrated than before at the mistakes the series makes.

It’s hard not to compare it to Firefly, another Western-in-Space story that had a pulpy feel. The Mandalorian doesn’t come off well in that comparison: It stumbles out of the gate, with clunky dialog and “villains” that don’t act in ways that make sense.

Here’s hoping Season Two is better!

Writing Goals for 2021

Feels a little silly to be setting any goals for 2021, to be honest. If 2020 taught me anything, it’s that plans can become meaningless fairly quickly.

But I live in hope, and so I want to enter the year, like I always try to, with some goals in mind for my writing.

Goals from 2020: How did I do?

First, a look back at how I did on 2020’s writing goals:

Write four short stories

Hahaha, nope. Not even close.

The story I started just after setting that goal? The one I’d been chewing on for a while, and wanted to just get started on? That’s the novel I’m currently writing.

It didn’t take long for me to look at the outline I’d produced for the “short story” and realize it was really a novel. And since, at the time, I was already working on one novel, I shelved it. Came back to it only this November, for NaNoWriMo, and I’ve been chugging along ever since.

I did start a new short story, that will actually be short, but hit delays because I tried to follow the advice of Story Genius, which ran me right into a wall of writer’s block. Had to hit pause that one, too, so I could start working on the current novel.

I did get one story edited, and by edited I mean “wrote an entirely new back half of the story, doubling its word count.” Said story is now so long it’s too long for many of the markets I’d like to sell it to. So maybe I can get credit for that one?

Finish the current novel

This one I did do, sort of.

“Current novel” here meant Prison Fall, the book I was working on most of this year (before the new novel). The official goal was to have it done, completely, ready to go to agents, etc. And it is done, in the sense that I’ve done multiple drafts now, one of which involved basically rewriting most of it, and I’ve done multiple editing passes since then to clean up the prose and eliminate inconsistencies.

The feedback I’ve gotten from beta readers, though, has revealed some things I want to fix before sending it out. So it’s not all done, in that sense. But close enough.

Post more to the blog

This one’s also a mixed bag. I started out well, conducting interviews with local writers and posting them here on the blog. I think I got three months in before the pandemic crashed down on me, wiping out the mental headroom I had to work on those.

Ditto my book and movie reviews. I had a good run of keeping up with them, but eventually ran out of steam, over the summer this time. Began to interfere with my enjoyment of the books, where I felt I had to keep notes on every little thing as I went through. Not to mention my motivation for writing them up fell away. So I stopped.

So this one’s a partial success.

Goals for 2021

Oof, here we go. Is it okay if I just call a do-over on 2020, and copy those goals? No? Fine, whatever.

Finish first draft of The Last Dragon

Slow and steady. I want to keep working on the novel I started back in NaNoWriMo, and finish its first draft before the end of the year. It’ll be an ugly draft. It’ll have mistakes and inconsistencies and historical inaccuracies everywhere. But I can’t fix it if it doesn’t exist, so I want to finish it out.

Finish edits to Prison Fall

One last pass to do the touch-ups from my beta readers.

Finish The Harvest

This is the short story I was working on in October. I like the story, and I want to finish it. By finished, I mean, drafted, edited, beta read, the whole shebang.

For once, I’d like to do the full cycle of drafts on a short story before sending it anywhere. In the past, I’ve gone through a few drafts, then started sending it out, sometimes before beta readers get to it. As a result, the story I submit to later markets is always stronger (and very different) from previous ones.

I’d like to have submit the strongest version from the start, this time. If that means it doesn’t get submitted anywhere this year, I’ll have to live with that.

Post three times a week

Yes, fine, I’m copying this one over from last year. It’s still a good goal.

Stretch Goal: Submit Prison Fall to agents

If I don’t finish the edits till the end of the year, this’ll have to wait till 2022. But it’d be nice to have this actually out the door, accumulating rejection slips, before the year’s out.

Wrap-Up

So there they are: my 2021 goals.

I’m setting the bar lower this time around, because I think the pandemic is not going away in the US anytime soon. Even with the vaccine, we’re seeing folks — medical front-line workers, even! — refuse to take it, all while hospitals are full and mask-wearing is maybe at 50%. It’s going to be a long hard road to herd immunity.

What about you? What writing goals are you setting for the new year?

Keeping Score: January 1, 2021

We made it to a new year!

In the past, I’ve taken that for granted. One year rolled into the next, I got older, and the world kept turning.

Not this year. This year, reaching January feels like an escape, like ducking under a closing door just before it seals itself shut.

So a sincere Happy New Year to us all!

Novel’s at 19,864 words. I’m still butt in chair every morning, forcing myself to stay there until I hit my word count goal. Some mornings it’s easier, some it’s harder, but…I’m always making progress.

I’m actually starting to run out of runway on the research I’ve already done about the setting. Which means I’m having to make more things up out of thin air, and thus getting more things wrong. I’ve already had to revise a few scenes based on new reading I’ve done. That’ll happen more and more, I expect, until I can catch up.

I know that ultimately, I’ll need to do some heavy editing of this draft, once it’s complete. Not just to fix some inconsistencies, but also to ensure the things that are consistent are historically accurate. Or at least, as accurate as a non-specialist like me can get them in a fictional tale.

But since I know I’ll need to do it, it doesn’t scare me to get things wrong now. What’s important now, I think, is to get the emotional beats of the story right. If I can nail down the characters, and how they react to the things that happen to them, I can fix the details later. Even if those details mean I need changes to the events of the plot, that’s fine. So long as the emotional arc of things is right.

That’s my theory, at least.

I want to thank those of those you who’ve been reading me regularly through this hell year. You give me hope that someday, these novels I grind away at will see the light of publication.

And for my fellow writers, I offer a hope and a blessing: May your writing be a joy and comfort to you. May your inner editor take a vacation when you’re drafting. And may all your tales be true.

Onward to 2021!