I seem to always discover new things about the story while I’m writing it.
It shouldn’t surprise me anymore, but it does. Somehow, no matter how much time I spend thinking about and planning a scene, simply by writing it out, my brain will come up with new ideas and connections to other parts of the story.
It’s all good stuff, and I’m grateful, but it’d be a touch more convenient if I could think of these things while I’m outlining. That way, I wouldn’t have to go back and revise other parts of the book to match the new things I’ve come up with while writing a scene.
Don’t get me wrong: the fact that I can come up with anything at all, instead of just staring at the screen like a deer caught in a truck’s headlights, is fantastic.
It’s also just a tad bit annoying, sometimes.
Which is to say: I’m making progress on the novel edits.
Looping, patchwork, scattered progress, but progress all the same.
Right now I’m trying to nail down the intro chapters, the first five or so. I want them to do quite a lot: Introduce the main character, and their (normal-day) problems, lay the ground work for a mystery that pops up later, orient the reader in the setting, introduce some antagonists, and make all that interesting enough so the inciting incident is worth sticking around for.
Oh, and they’ve also got to setup the stakes for the inciting incident, have the incident itself, and then pave the way for those consequences to play out.
It’s a heavy responsibility for those first chapters to carry. And before I started making these changes, they weren’t quite up to it.
But I think they can be! So long as I make the right changes.
So that’s what I’ve been working on this week, and will likely keep working on into next week.
I feel a bit like a director on a movie, making changes to the set design between each take (and also changing the script. and the blocking. the actors hate me). I go in and add a machine there, change the readout on a display there, redirect the lighting over there, and then let the scene play out again. Or scratch a scene entirely and replace it with something new, in a new location.
It’s slow going, but it’s fun! Kind of. Makes me grateful no one’s had to read the earlier drafts. This one’s going to be bad enough.