Keeping Score: October 25, 2019

I think I’ve written myself into a corner this week.

I’m working on a scene where I want to have one character drop a particularly important piece of information. It’s something that changes the dynamic of the scene — from fight to negotiation — and sets the stage for a partnership that runs through the rest of the novel.

The trouble is, I’ve gone out of my way earlier in the book to insist she doesn’t remember anything related to this dramatic, juicy, bit of info.

So I’m in a bit of a bind. Do I try to find some awkward way to shoehorn in why she might remember this bit but not anything else?

Or should I go back and rewrite the parts where she doesn’t remember, and change it so that she does? And deal with the ripple effects that’ll cause?

I’m hoping my subconscious is working on the problem, and will present me with a solution soon. I really don’t want to have to rewrite those other scenes, here when I’m so close to finishing this draft.

What do you do, when you realize the needs of the story — the drama, or the tension — are pushing you to change parts of the plot?

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