HUGE NEWS this week: I sold my first short story!
And to a professional, SFWA-qualifying market, no less!
More details as they shake out, but I’m over-the-moon pumped. The story’s one I’ve been working on for three years (!), revising, polishing, and submitting.
Many thanks to my friends that suffered through reading all those drafts, and offered me the feedback I needed to make the story shine!
Persian Fire, by Tom Holland
One of the best examples of narrative history I’ve ever read. Holland is simply a great writer, so that despite some repetition and over-reliance on certain turns of phrase, I sped through its 350+ pages.
And it illuminated aspects of ancient Persia and Greece that I didn’t appreciate before. Like how Sparta trumpeted equality for everyone except for those living in the cities they conquered (who were turned into slaves, one and all). Or how democratic Athens regularly held an ostracism, so they could kick out a citizen who was getting too powerful (or causing too much resentment among other citizens). Or that the King of Persia considered all his subjects his slaves, and yet left them to worship their own gods, and mostly govern themselves, so long as they paid tribute.
I wish it’d gone more into a subject it teases in the Preface: How would Greece have fared if Xerxes had conquered it? Given that the Persian Kings were considering letting the Ionians (subjects of the empire) govern themselves democratically, how much of Western history would have been different?
Holland does go into detail about the Persian empire (origins, revolutions, etc), which is a great corrective to the usual Greek-sided way of telling this story. But he leaves one of his most tantalizing questions unexplored, which is a tragedy.
Paper Girls, Vol 1, by Brian K Vaughn, Cliff Chiang, Matt Wilson, and Jared K Fletcher
Picked this one up partially because of Vaughn’s work on Saga, and partially because of the clean, comprehensible art style.
And now I have yet another Image Comic (like Monstress, and Saga, and Wicked + Divine, and…) that I’ll pick up every chance I get.
Without spoiling anything, I’ll just say that it’s set in 1988, it follows four pre-teens on their paper route one early morning, and that things rapidly get…weird. Like, time-travel and possible aliens and dinosaurs weird.
It’s fantastically well-done. Its creative team is firing on all cylinders: the story is strong, the drawing clear and easy-to-follow, the colors manage to invoke both the 80s (to me, anyway) and the various locations (early morning outside, dark basement, etc) and the lettering conveys everything from a radio’s static to a drunken warble.
Which reminds me, I need to go pick up Vol 2 🙂