WonderCon 2019: Day Three

Anaheim Train Station at Night, All Lit Up

Last day of WonderCon arrived too quickly 😦

There were still plenty of good panels, though, with a great interview with Tom King in-between. And it was absolutely thrilling to see a friend of mine, local indie author J Dianne Dotson, share a panel with Cory Doctorow!

All my notes are below. Looking forward to next year!

Technology is Cold, People are Warm

cory doctorow, j dianne dotson, michael grumley, s.b. divya, maura milan, maryelizabeth yturralde

let’s talk about making space for everyone by, maybe, making space-suits for everyone?

  • maura: there’s a whole bunch of tech that people can modify into the suit, to accommodate themselves; for fashion, she tends to make everything black; it’s kind of camouflage in a way
  • dianne: how fabulous can you make it and it’s still fashionable? always wants style and function; wants to think space should be for denizens, not dilettantes; everyone should be able to go, in 2019, we should have suits that fit everyone on the international space station
  • s.b.: comes at it in an economic angle; money talks, it’s often used as an excuse for not accommodating everyone; the way she approaches it in her fiction is protagonists from economically disadvantaged backgrounds having to use the tech designed for the advantaged
  • cory: works on a non-profit who wants to abolish the phrase “so easy your mom could use it”, because it takes more ingenuity to use something when it wasn’t designed with you in the room; “so easy your boss could use it” is a better phrase, since they’re the ones bullying employees to bypass firewalls

let’s talk about some of the emotional aspects of interacting with tech (for example, apologizing to siri when asking q’s)

  • maura: has book where “monitors” control the room, interact via holographic projection; you can’t just order them around, though, you have to negotiate with them, or trick them
  • dianne: on the space station in her book, there’s a variety of bots and drones to interact with; there’s a character that has a problematic relationship with an AI that he’s altered to resemble someone he used to be involved with
  • s.b.: fascinated by how tech impacts lives and relationships of people; any tech derived from our needs as human beings: to remember appointments or navigate a room or communicate with our family a long way away; teleporter’s are cool, but become more impactful when think of what it can do for your life
  • cory: thinks most salient thing is not what it does but who it does it for and who it’s designed for; likes exploring those power dynamics; in his book walkaway, explores the “how did that get there?” effect with the interaction of human beings and drones helping them build homes out of garbage

another emotion we like to experience is security; problem with consuming or creating science fiction is the burden of knowledge; we have cool medical apps now, but also hackers that can go in and change medical records; how does that knowledge impact you personally?

  • s.b.: in her fiction, she turns it around; enjoys thinking about what we gain as we give up privacy; we expose ourselves to risk, but we gain so much: connections with family and friends, etc; likes the pendulum to swing both ways, showing the dark side of our tech and the bright mirror of what good things we could achieve if we wield these technologies appropriately?
  • dianne: comes from a place of wanting patient data being secure; informs how people in her books come into a medical situation, and the ethics of their privacy and possible manipulation
  • maura: something she worries about; with all the data she has to give to a company everytime she downloads an app; but there’s always something about yourself that they can’t get to; in her book, everyone knows a character’s crimes, but no one knows what makes her tick, you have to make a personal connection in order to figure that out
  • cory: his motto: “this will all be so great if we don’t screw it up”; skeptical of accounts that say we’re indifferent to losing our privacy, just because we give our info to facebook; being with your friends is an unalloyed good, and we hope that we can control these companies with democratic solutions; best we can hope for is to use cryptographic tools and networks as tools to help us advocate for building a better state; there’s no parallel world, no getting away from a state that is often captured by the powerful

Spotlight on Tom King

nothing but audience q&a 🙂

recommends word balloon podcast, interviews with comics creators, awesome for people that want to break in, he listened and picked an origin story he wanted to follow — brad meltzer’s — who wrote a novel, sent it to comics publishers, and got in

The Art of Garbage: Writing the First Draft

dr billy san juan, jonathan maberry, christine boylan, dr travis langley, dr janina scarlet, jonathan butler, danielle jaheaku

how do you take that first seed and turn it into a first draft?

  • janina: lots of panic attacks and coffee; lots of late-night writing, lots of “this is the worst piece of garbage i’ve ever written”
  • maberry: process changes a lot; first novel, had no expectation of selling it, just wanted to see if he liked doing it and wrote something he’d like to read; hated it at various times, but wrote an outline and basically wrote to the outline; now writes the ending first, and aims for the ending; writes an outline but doesn’t stick to it; “first draft is you telling the story to you, cut yourself a break” (ray bradbury)
  • christine: there’s a huge different between an assignment and something you’re writing on your own; some plays have taken her 10 years, and some episodes of tv she wrote in a weekend; sometime you’re first draft is what’s on the board in the writer’s room, second draft is the outline, third draft is the first full crack at it (and might be the last)
  • travis: for him, writing nonfiction, the first draft is the book proposal

how do you overcome the “this is terrible” voice?

  • butler: it needs to be really rough and ugly, the first draft, so those feelings of “it’s terrible” come with the territory; you should feel that it needs work early on, those are good instincts, but you’ve got to ignore them to get the draft done
  • danielle: for her students, the hardest part is often getting started; she tells them to just write it down; don’t worry about what it looks like, if you get wrapped up in self-doubt, you’ll never get it down
  • maberry: a lot of us get hit with imposter syndrome; each freaking books, even the pros reach a point about 2/3 through where they email their friends saying “this is going to be the book that sinks me”; we never lose our insecurity
  • christine: yes, that text or that email that says “i’m done, i’m going to walk into the sea”; get a group of people you can send those texts to, so they can give you a reality check (and you can do the same for them)
  • butler: don’t leave this room without those people; we’re all here to do the same thing
  • christine: definitely work on yourself; do self-care; do not try to get rid of that voice; but pushing against it will give you the energy to do your work
  • travis: writer’s group is so important, yes, even if they’re outside of your genre or your area of writing; also having deadlines with that group can give you motivation to finish things
  • maberry: started the writers’ coffeehouses because when he was writing his first novel he thought all the problems he was having were things that were unique to him; the coffeehouses give you a chance to see other writers going through the same problems and trade solutions
  • janina: likes the writing groups because she noticed we tend to be more compassionate to others’ writing than we are to our own; these anxieties show up because we care, because we love this product so much, and we want to put it out there and see other people enjoy it; for her, keeping that person who’s going to read it in mind has helped her through the dips in the process