Last week I set some goals to keep me on track for a productive summer.
So, how am I doing?
- Edit one chapter a day: Check. I’m working through the novel backwards this time, to keep it fresh for my editing eyes.
- Write a new short story each week: Not complete, but new story (working title: Wednesday) is halfway done, and I’ll wrap it up this weekend.
- Critique two stories each week: Check. By the time the new story’s done, I should have enough points to post it to the litreactor workshop for feedback.
- Find a new agent to query each week: Nope. Need to set aside some time next week to do this.
- Polish and submit a new story each month: Check. I’ve currently got three short stories making the submission rounds, one of which I submitted for the first time this month.
Another strong portrayal of a villain from Grossman.
Avoids the trap of completely rehabilitating Nixon. He’s sympathetic without being likable, and interesting to follow without the reader always cheering them on.
Loses steam in the second half. There’s plot lines that go nowhere, scenes that could have been cut without changing anything, and the climax happens completely off-screen, with no buildup or release of tension.
Still, I learned a few things about writing:
- Delivering most of your plot via dialog — so long as you’re not data dumping — can be a great way to keep the story moving.
- The best villains think they’re the hero.
- Restricting your book to one POV can be too confining. Multiple POV can let you explore other aspects of your world, which you might need if your story takes place somewhere very different.
My wife’s in Arkansas for the next few weeks, visiting her mother for her annual pay-off-the-guilt-from-moving-to-California visit.
Normally, this is a time I tell myself I’m going to get a lot of writing done, hermit-in-the-woods style, but instead end up staring at the keyboard, trying to dig up inspiration.
So this time, I’m setting goals. Daily, weekly, and monthly goals:
- Final-pass edit one chapter in the first novel every day.
- Write a draft of a new short story every week.
- Critique two stories submitted to litreactor (the online writer’s workshop) every week.
- Find a new agent to query every week.
- Polish and submit a new story to a new market every month.
I’ve decided to go with submitting the first novel to agents. However, I’ve also joined Publisher’s Marketplace, so I can be selective about which agents I query. Less of a shotgun approach, and more of a laser.
I’m hoping the explicit, bite-sized goals will keep me focused. Who knows? They might become new habits.
A 1990s trenchcoats-and-mirrorshades action film published in the 21st century with 1950s gender roles. An odd, frustrating, throwback of a book.
Three things it taught me about writing:
- Be careful when porting an old genre to a new skin. Bringing along the social mores along with the other elements will make your book feel dated from the start.
- Taking an otherwise-competent character and pushing them out of their element is a great way to both explore a new world and make it challenging for them.
- In sci-fi, it’s not enough that the names of things — computers, cars, etc — change. Our relationship with them needs to change, too, or it’s just window dressing.