Wife and I are heading off to WorldCon today!
It’s in Kansas City this year, which is only a 4.5 hour drive for us. For once, no plane tickets to buy🙂
This’ll be our first WorldCon, so I’m both excited and nervous. A lot of our friends will be there, but so will many — ye gods, so many — of the authors I admire. I’m going to try to keep my squee to an acceptable level.
Also, thanks to the efforts of Tanya Washburn and the Accessibility Committee, there’s going to be multiple ASL-interpreted events! The Masquerade, all Business Meetings, the Hugo Awards Ceremony, and the Paul and Storm Concert will all be accessible for the deaf and hard of hearing.
They’ve even arranged for a personal interpreter for my wife for one day of the Con, so she can enjoy that day’s panels as much as anyone else.
It’s going to make a huge difference in my wife’s independence during, and participation in, the Con. The Accessibility Committee has been very responsive and welcoming, and I’m quite thankful for their efforts.
Eye-opening. Brings two hundred years of Central Asian history to life through a series of vignettes, describing individual lives spent among the cities and caravans of the Silk Road. That technique lets the author pack of a lot of detail into a slim book.
Three of the many things I learned:
- 9th century Buddhist monks would setup stalls in the monastery, offering spells for healing or insight into the future or advice for what to do
- Chinese histories of the time portray surrounding empires as vassal states, when in truth China often paid tribute to those empires to stave off war.
- Even in the eighth century, you could come across ruins and abandoned towns in the Tarim Basin. People had been living there for 2,000 years, and with water so precarious, often had to pick up and move as the climate shifted
Biggest three flaws in the novel are fixed!
Or, at least, I think they are? Hard to tell without getting another round of beta reader feedback.
In any case, I’ve made edits to fix the largest plot holes.
Moving on to problems with world-building. Those range from big things like: does the background for the two main characters make sense? Is it treated consistently? Does the behavior of the villain at the start of the book hold with what we learn about them by the end? To smaller pieces, like making sure the monetary system used holds up and the curses the characters utter fit the world.
It’s a little more scattershot than the first editing pass. Almost wish I’d made notes as I wrote the first draft, breadcrumbs for me to follow back so I’d know exactly which sections of the text would need to be checked later. Maybe something to try with my next novel?